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Hither came Conan, the Cimmerian, black-haired, sullen-eyed, sword in hand, a thief, a reaver, a slayer, with gigantic melancholies and gigantic mirth, to tread the jeweled thrones of the Earth under his sandalled feet.
I enjoyed the exercise in world building that this book seems to represent. The author laid out the history of Anderith and then used that foundation to give us a story about political intrigue and domination.
I also enjoyed how things played out at the end, though I’m not sure it made much sense. The common people would be the ones to suffer the most, while the elites who manipulated them in the first place would likely escape retribution, like Dalton. So, could that really satisfy Richard’s desire for vengeance? It does make his actions seem more juvenile. What he’s doing at the end of the story is pretty juvenile too. “They don’t like me so I’m going home!” Isn’t this guy supposed to be Lord Rahl? Wouldn’t his past experiences have hardened him up and made a man out of him by this point? Are his actions believable?
I feel like Goodkind spends a lot of time building new characters up and developing them in really creative ways, only to have them meet their ends in extremely anti-climactic situations that felt rushed and left me wondering what the point of learning about them was in the first place.
That rushed feeling permeates the last 60 pages or so of the book. One moment everything is fine, and then suddenly the enemy is there and everything quickly wraps up in catastrophe. It doesn’t feel measured. It doesn’t feel like good storytelling. It feels like the author put too much time into the build-up and then realized he only had 50 pages to find some sort of conclusion. The ending was choppy and unsatisfying. Goodkind also puts too much weight on weak storylines. The prime example is using Franka’s situation at the end of the book to explain Dalton’s change of heart, but for that to be believable Dalton’s relationship with Franka should have been more deeply examined.
The story could have been better if Goodkind had spent less time detailing characters and a culture that were disposable and had spent more time developing the main characters instead. Throughout the story, all of the main characters fail to work together. The actions they take aren’t believable given their situations. Kahlan doubting Richard and the mud people elder about the chicken is the most glaring example. Why would they lie about it, and if it had turned out to be untrue, so what? They’d have checked and maybe killed a few chickens and then they could have settled things. Instead, she gets portrayed as a doubting, whining bitch that slows down story progression, which isn’t fair to her considering who she is supposed to be. Richard has his turn to be an idiot when he doesn’t trust Kahlan’s opinion later on in the story.
The story just feels like a wasted opportunity, or like filler material.