I’m not usually a fan of constant flashbacks intermixed with the present, but this story was just too well done. I particularly enjoyed Grace’s character progression, though in a way, his first choice (you’ll know what I mean if and hopefully when you read it) didn’t seem to fit his character history, so the surprise twist didn’t land quite the way the author probably intended for me.
The scientific explanations the author included were technical enough that I felt like I was learning something without the mini lessons wrapped in the story becoming overbearing. It made me interested in learning more about science, which is cool. It made me interested in learning whether or not some of what he uses in the story is true or possible. It made me interested in space and what it will mean for the humans when we start thinking of ourselves as a species in competition with other species in the universe, or universes.
It’s sort of a backhanded compliment to humanity, but I think we could really come together when we have a common “other” to all turn against instead of each other.
Matrix Resurrections was ok. It was quite a bit better than I expected and I appreciated the self-deprecating humor in the scenes discussing a possible fourth Matrix video game and the direction it should take. I kind of wonder if the dialogue about it moving forward with or without Keanu’s approval was something that actually happened. It was kind of high brow, but in the right way.
The movie really fleshes out the relationship between Neo and Trinity in a complicated, thought-provoking way that fits into the world of the Matrix and makes me hungry for more of the story. I’m definitely going to be re-watching the original series again. The fight scenes were well choreographed, though it felt like they were relying very heavily on ‘look this is just like how it happened in the first movie’ for quite a few things, like the first “bullet time” scene. Speaking of bullet time, it was interesting to see that certain programs in the Matrix were able to utilize that in new and interesting ways.
Where the script falls off the rails is when, instead of just showing women doing things and being things because that’s how it is, an explicit call to Liberal Social Justice is made by adding the buzzword “agency” in the scene where Naiobi tells Neo to not take “her captain’s agency away from her”.
Why not just say, “Don’t apologize for her Neo. She can speak for herself!”?
It would have been more powerful and more real. Have you ever heard people in the street yelling at each other about taking each other’s agency away from them? Who talks like that? No one except Far Left activists and people caught up in the Academia mindset.
Presenting women in positions of authority should be done without apology or comment, as the way it just is, that women doing those things is ordinary, normal, common, etc, exactly the same way that men doing things is presented. The moment you add a political qualifier to the dialogue, you pull viewers out of the fantasy of the movie and detract from the possible impact of the scene. For me, it left me critical of the scene and then I started being critical of everything else in the rest of the movie, which left me enjoying it quite a bit less than I could have. Movies are ultimately entertainment, not soap boxes for political agendas. When you blur the line, you risk losing your audience.
I was also a little disappointed in the replacement actor for Agent Smith. He wasn’t bad, but he didn’t live up to Hugo Weaving’s portrayal. I also could have done without the bootleg Morpheus. That character being called Morpheus didn’t add anything to the story other than a call to nostalgia, though there were quite a few calls to nostalgia in the movie, both verbally and with cut scenes of footage from the earlier films. It felt like the directors weren’t sure the film could survive on its own without being propped up by the first 3 movies, which is a little weird, considering it’s a sequel and the viewers would, presumably, already be familiar with the first three movies. It was like watching one of those previous episode recaps but mixed into the movie itself instead of at the beginning.
Finishing the movie out by placing Trinity on a level with Neo makes sense for the plot of this particular movie, but I’m not sure it makes sense when placed alongside the original story line. I’d have to re-watch the original movies to be sure, but I was under the impression that Neo was “The One” because there could only be one “The One”. Maybe he was just The One that would have enough ability to manipulate the Matrix to balance the scales of power between humans and the machines. That wouldn’t necessarily preclude other people from achieving that level of ability, and varying levels of ability were hinted at by the people at the Oracle’s apartment in the original trilogy, but why would Neo and Trinity together create overwhelming power or trigger Trinity’s ability to act on par with Neo? Are they really implying that love is the magic ingredient? I mean, it’s a beautiful idea, but it doesn’t seem to fit the themes of the original trilogy.
Finally, the story felt a little loose to me in terms of restrictions on the movements of average freed people in the Matrix. Obviously, they had to take into account modern wireless technology and mobile phones, but if a land line wasn’t required to get in or out of the Matrix, what was the point of the hacked doors and mirrors? Couldn’t they just use WiFi to appear in the Matrix anywhere they wanted?
Another movie is implied by Smith’s getaway at the end and, hopefully, if more movies are made, the above questions will be addressed in a way that doesn’t turn the logic if the story into soup. There are a lot of criticisms here, but it was still fun and I’d watch it again after re-watching the original 3.
Also, and this is on a tangent, maybe, but watching this movie really makes me want to play Grand Theft Auto V again.